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“Black doesn’t look or sound or act one way, and for a while, I honestly feel like TV got trapped into this thing of showing that Black always felt and sounded one way, but that doesn’t reflect reality. “What I like most about Whitney’s existence as a Black affluent person, other than the fact that her background steers away from ‘trauma porn,’ is the casual nature of her being Black and rich,” Scott says. Scott is particularly grateful to play Whitney because she’s getting to be a part of something that she hasn’t seen much of on TV: Black, upper-to-middle class women such as herself, who did not traditionally “fit” the mold of the Black characters. The heartwarming show is also notable because the pals subvert expectations - the tweedy Barbie is chasing skirts, the student worker is white, the Indian teen loves to gab about sex and the Black athlete didn’t get into college solely on her athletic prowess. The foursome comprising Leighton (Reneé Rapp), Kimberly (Pauline Chalamet), Bela (Amrit Kaur) and Whitney (Alyah Chanelle Scott) is more flawed than fabulous, but it is delightfully gratifying to see the friends revel in each other’s strengths and clumsily navigate young adulthood with hilarity, grace and cringe. In “The Sex Lives of College Girls,” tropes are constantly being turned on their heads. Decades after “The Cosby Show,” “Fresh Prince of Bel-Air” and years after “Black-ish” came on the scene, these narratives of Black elites, entrepreneurs and opulence deserve more spots on-screen as well for more authentic and full-bodied representation. HBO’s “The Gilded Age,” and HBO Max’s “The Sex Lives of College Girls,” as well as OWN’s “The Kings of Napa,” Starz’s “Run the World,” Peacock’s “Bel-Air” and Prime Video’s “Harlem” are among a slew of shows that depict well-to-do Black families and women, successful and thriving. Alison Cohen Rosa/HBOĪlexander is one of the many Black on-camera movers and shakers of the latest trend in television, which normalizes the depiction of Black affluence. HBO Max’s “The Gilded Age” depicts the Black elite in the 1880s. She’s also not the only person of color in this new cohort of young adults tearing up Manhattan - Evan Mock, Zión Moreno, Savannah Lee Smith, Whitney Peak and Grace Duah also star. Except for the gravitational pull of drama that both of show’s “It girls” share, Alexander’s Julien is nothing like Blake Lively’s Serena van der Woodsen, the blonde bombshell of the source material.
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“I was so completely unaware that there was such a lack of representation while watching because I was so used to seeing that - an all-white cast,” says Alexander, who stars in HBO Max’s reboot of the series as protagonist Julien Calloway, a mixed-race, affluent prep-schooler juggling her influencer aspirations while attempting to stay connected to the people she loves. However, it did not show many Black characters joining in on the iconic fashion or the petty predicaments caused by Kristen Bell’s tattling voiceovers at the start of every episode. The original CW series revealed in six juicy seasons that these extracurriculars included under-age debauchery at Butter, finessing your way into the Ivy League and perfecting the Machiavellian art of sabotage while wearing a lot of headbands. Jordan Alexander was completely oblivious to how many few faces similar to hers were on “ Gossip Girl,” the mid-aughts spectacle that dared to wonder what the children of New York’s upper echelon got up to after school.